Over the yours top tier luxury brands take there collection on tour each spring. this year Chanel is no exception. this year Lagefeld created his very own k-pop culture in Seoul, Korea. he embraced the pop culture by creating hyper colorful experience: nion dots on the flow and a fill of being in a computer game.the style was a combination of contemporary and traditional.
"It's a cosmopolitan idea of the local fashion," he told WWD. And so the traditional Korean hanbok styles of dress (empire line smocks) made for the most part of the collection, but rendered in patchwork layered pops or tessellating-tastic colours, dinky and pleated in pastel knit beneath be-bowed or flower-garnished waists. Shapes systematically translated into Chanel's signature tweed jacket shapes, inflated in the shoulder and candy sweet in their incarnation this time round.
(/www.vogue.co.uk/news/2015/05/05/chanel-resort-show-in-seoul)
The makeup seen on models
The makeup look seen on the cut-work this spring summer 2016 in Seoul Korea, was created by Tom Pecheux, he sought to blend a Asian woman desire with a western consumer desire. he did this by strategically pleasing snippets of false lashes in the middle of some of the models lower lash to create a round and big eye effect well in other model he pleased the snippets of the lashes in the corners of the eyes to create a more cat- eye effect. For the eye brows he created two line on at the top of the brow and one at the bottom of the brow, but making sure to work with the shape of the eye brow. He finished the look by adding a very electric and bright red lip.
The Hair
The cut work hair was created by Sum McKnight. The inspiration was from the tradition hairstyle worn by ancient Korans. the braid were made from synthetic hair and braided to look 3-D then pined down using hair pins. the looks look fun and playful especially the Minnie mouse ears look.
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